Sasja Wagenaar
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Black Plums in White -
Lemons and Limes I -
Lemons and Limes II -
Sparkling I -
Bord van Voren -
Bord van Voren met Libelles -
Indigo Schaal -
Balans in het licht -
Seringen -
Oranje Bord met Japanse Bloesem -
Oranje Vaas met Goud -
Blauw en Bosbessen -
Vaas met Gouden Vlinders (donker) -
Vaas met Gouden Vlinders (licht) -
Sparkling II -
Stapeling in het licht -
Vaas met Libelles -
Vaas met Vogeltjes -
Schaal met goud op wand -
Sprotjes -
Boeketje Rozen -
Pruim met Citroen (donker) -
Pruim met Limoen (licht) -
Stap in het Licht -
Op Turquoise -
Kommetje in het Licht -
Granaatappel met Mandarijnen gespiegeld -
Granaatappel met Mandarijnen (licht) -
Vaas met Dennenboom en Zachte Bloesem -
Herstel
Sasja wagenaar
Sasja Wagenaar is inspired by our classic masters from the seventeenth century, a flourishing period in Dutch painting. The century in which new continents, markets and arts were discovered. At that time in the Netherlands it was a real fad to collect chinoiserie. Originally porcelain, but also Dutch pottery, also known as Delft blue, inspired by Chinese and especially by Japanese bowls and vases.
To quote Sasja Wagenaar: ‘Every platter, every bowl is already so much in itself. They were made with great care and went through hundreds of hands before they ended up here. Their character must be respected in composing the story that forms a still life. They are as alive as the blossom branches and I try to let them speak together. Slowly the image is created’.
Although rooted in the 17th century Dutch tradition, her work shows her very own signature and is contemporary. As a true Modern Dutch Master Sasja knows how to nourish silence and well-being in extraordinarily serene compositions. She paints 'living' models, she doesn’t use photography and she uses acrylic, which is also a reference to our time.
She signs every painting with a beautiful ‘W’, always aware of the strive that the next work will hopefully be even closer to her absolute ideal.
