Sasja Wagenaar

Works
  • Sasja Wagenaar, Wilde Kersenbloesem
    Wilde Kersenbloesem
  • Sasja Wagenaar, Balans in het licht
    Balans in het licht
  • Sasja Wagenaar, Seringen
    Seringen
  • Sasja Wagenaar, Oranje Bord met Japanse Bloesem
    Oranje Bord met Japanse Bloesem
  • Sasja Wagenaar, Sering
    Sering
  • Sasja Wagenaar, Herstel
    Herstel
  • Sasja Wagenaar, Oranje Vaas met Goud
    Oranje Vaas met Goud
  • Sasja Wagenaar
    Blauw en Bosbessen
  • Sasja Wagenaar
    Vaas met Dennenboom en Zachte Bloesem
  • Sasja Wagenaar, Drie Citroenen en Drie Limoenen
    Drie Citroenen en Drie Limoenen
  • Sasja Wagenaar, Granaatappel met Mandarijnen (licht)
    Granaatappel met Mandarijnen (licht)
  • Sasja Wagenaar, Granaatappel met Mandarijnen gespiegeld
    Granaatappel met Mandarijnen gespiegeld
  • Sasja Wagenaar, Kommetje in het Licht
    Kommetje in het Licht
  • Sasja Wagenaar, Op Turquoise
    Op Turquoise
  • Sasja Wagenaar
    Vaas met Gouden Vlinders (donker)
  • Sasja Wagenaar
    Vaas met Gouden Vlinders (licht)
  • Sasja Wagenaar, Stap in het Licht
    Stap in het Licht
  • Sasja Wagenaar, Pruim met Limoen (licht)
    Pruim met Limoen (licht)
  • Sasja Wagenaar, Pruim met Citroen (donker)
    Pruim met Citroen (donker)
  • Sasja Wagenaar - Boeketje Rozen
    Boeketje Rozen
  • Sasja Wagenaar
    Sprotjes
  • Sasja Wagenaar
    Schaal met goud op wand
Biography

Sasja wagenaar

Sasja Wagenaar is inspired by our classic masters from the seventeenth century, a flourishing period in Dutch painting. The century in which new continents, markets and arts were discovered.  At that time in the Netherlands it was a real fad to collect chinoiserie. Originally porcelain, but also Dutch pottery, also known as Delft blue, inspired by Chinese and especially by Japanese bowls and vases. 

 

To quote Sasja Wagenaar: ‘Every platter, every bowl is already so much in itself. They were made with great care and went through hundreds of hands before they ended up here. Their character must be respected in composing the story that forms a still life. They are as alive as the blossom branches and I try to let them speak together. Slowly the image is created’. 

 

Although rooted in the 17th century Dutch tradition, her work shows her very own signature and is contemporary. As a true Modern Dutch Master Sasja knows how to nourish silence and well-being in extraordinarily serene compositions. She paints 'living' models, she doesn’t use photography and she uses acrylic, which is also a reference to our time.

 

She signs every painting with a beautiful ‘W’, always aware of the strive that the next work will hopefully be even closer to her absolute ideal. 

Publications